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3/19/2010

ATGR is a good example of why Young tends to be overpraised. Don't get me wrong, he is worthy of nearly all the tremendous influencing his name has incurred, and rightfully put out many, many brilliantly composed pieces. But his albums as a whole tend to be shaky, with ruggedly elegant songwriting rarely taking center stage, over mainly simple piano-n-riff-rock, albeit with a tenderness rarely seen in conjunction with a distortion pedal....

I have previously mentioned the name Neil Young in this space in connection with his early career as a heavy rock presence with his band Crazy Horse on the album "Everybody Knows This Is Nowhere". I noted there that Neil Yong had had many incantations and seemed to have lately taken up the role of folk/ rock elder statesman with some success. In short, through Young's varied career it has been hard to type him. That brings us to the CD under review that kind of makes that point more succinctly t...

I've been a Neil Young fan since the day I first heard one of his songs, and this is one of the best records he's ever done. But I'm a fan of just about everything he's put out so...

Anyway in my opinion this is one of his very best...

This album always puts me in a state of hypnosis in which I become absorbed by it, unaware of anything else around me. I can't listen to it while I'm driving, It's just that good. Same goes for "On the Beach".

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This is still one of my favorite albums of all time, and I just discovered how good it sounds in headphones (great stereo spread), however I am listening to Oh lonesome me, and it is in mono-I think I remember that from when I had it on LP. Anyway, I don't think old Neil did any better than here. The songs are all great, and his voice is in perfect shape!...

De la trilog¨ªa de excelentes discos de la primera etapa de Neil Young, sin considerar su debut, After The Gold Rush es el menos destacado, lo que en ning¨²n caso equivale a decir que es un paso atr¨¢s, s¨®lo pierde un poco su brillo al estar en medio de dos gigantes como Everybody Knows y Harvest (o tres si tambi¨¦n se considera D¨¦j¨¤ Vu). El tono del disco es oscuro, predominando las baladas folk, memorables temas como Tell Me Why, el mejor tema del disco, Only Love Can Break Your Heart o I B...

....nowadays this minute and a half track would be called an interlude on many of the bloated, half-baked discs released with staggering regularity. But on this 1970 classic it's just one of many great tracks that make up Neil Young's 3rd solo LP. While it's really hard for me to quibble with anything Young released during his most fruitful period, something about this particular album stands out. He wasn't trying to prove his clout as a hitmaker anymore, he'd already fully incorporated Crazy Ho...

A seminal Neil Young and Crazy Horse album. There are no weak songs. Strong lyrics and harmonies....

While Neil Young's quivering voice and minimalist guitar style may be acquired tastes (his one-note repetitive solo on "Cinnimon Girl" from "Everybody Knows This Is Nowhere" remains one of the greatest acts of rock and roll chuzpha ever), his musical integrity and songwriting have never been questioned. After a somewhat overproduced initial effort ("Neil Young") and a grungy second ("Everybody Knows . . . "), Young struck a personal (and a surprisingly commercially successful) chord with "After ...

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Harvest may have been bigger,but ATGR is a deeper ,more introspective album.Certainly inspired by his tenure in CSNY,their influence is as prevelent as his was on their Deja Vu album.Besides the classics(the title track,Southern Man,Don't Let It Bring You Down)there are acoustic nuggets(Birds,I Believe In You)that would've enhanced the somewhat schitzophrentic Harvest.For those who are only Harvest fans,give ATGR a listen and you'll feel you have stuck it rich....

I first heard the song "After the Goldrush" on the radio a few times and was blown away. I had no idea who it was by or even the title of the song. The lyrics were nothing i had ever heard of before and the simplicity of the tune that makes the song great were so mystical that i wondered who the hell did such a feat as this. It took about a year to find the artist and i still coudn't believe it was Young on that piano. No one I new listened to him so it was hard. Anyhoo, this is one of the best ...

Wow! What an album. After hearing my buddy's play their version of "When you dance...", I couldn't get the song out of my head.<br>So, I had to get the album, Great song! I only had "Decade" and CSNY's "So Far" as far as Neil stuff goes, Oh and Harvest Moon.<br>Anyhow, now I'm on the search for all the best Neil, Stills, CSNY etc... really good stuff!<p>-jp...

I'm gonna get this off my chest first. To be honest I have never been a huge Neil Young fan. Don't get wrong he has done some great stuff throughout his musical career but so have his peers like Stephen Stills and Graham Nash etc; (sometimes they've done better things) and for whatever reason they do not get as much recognition. However I felt I hadn't really given Neil a chance. So I decided to pick up two of Neil's most critically acclaimed albums: 'Harvest' and of course 'After The Gold R...

Neil Young's After The Goldrush is a brilliant, cerebral and often difficult miracle of an album. It's almost impossible not to be swept up in the powerful emotions, sentiments and ideas expressed in this album. All the way from the provocative cover art to the scathing classic 'Southern Man', it would be a bad idea for any rock fan to pass on this one....

There is merely great music and then there are those songs and albums that take you back to a period in your life that was both magical and scary. For me, After The Gold Rush is one of those albums.<br>Back in San Diego, a lot of the neighborhood kids hung around at my friend Howard Pierce's garage partying and listening to good music day in and day out. Howard's garage was a place of friendship, it was a place of refuge, it was a place to sort out our insecurities and for many of the kids...

ATGR and Harvest are constantly described as Neil's best albums, but in my opinion, neither has stood the test of time as well as many of his other albums, and are both decidely patchy and uneven.<p>Tell Me Why and Only Love Can Break Your Heart are tedious mid-tempo plodders with banal lyrics. Two songs (which closed each side of the LP in the dear old days of vinyl) are complete throw-aways. Charming, I suppose, when you first play the record, but 30 years on, pretty boring. Even in t...